Author: Josie

  • Teaching Tips:

    How you and your Client can get the Most out of every class

    For the first 15 years of my career in the fitness industry, I taught high energy, highly choreographed classes to music – aerobics and Step mainly.  I did it all – every step, hop and jump – all 25 classes some weeks!  I was fit and loved every minute of it.  If I stopped, they stopped, so we did it all together.

    The first thing I noticed on day one of my first Pilates teacher training course back in 2000 was that the teacher didn’t do any of the exercises!  Each training day began with a Pilates class and she didn’t do one exercise.  Yet she managed to get us all safely through a number of very enjoyable sessions. 

    The most common scenario, however, in many leisure centres and clubs is the teacher lying down at the front of the class, doing the exercises with the clients who are constantly stopping, lifting their heads or even sitting up to see what’s going on.  Not ideal in a mind/body somatic type class that is essentially about posture, concentration, co-ordination, flow, precision, etc.

    It’s a subject that comes up often and something I see all the time in my student assessments for Certification.  It’s something I used to do myself which left me with a deep sense of loss of control and frustration.  I’ve been lucky enough to work with some incredible instructors from around the world in some exclusive studios with discerning clients and I’ve learned a lot.  I wanted to share a few insights that have helped me through my many years of teaching and kept me here for 40 years.

    1. What is your role as a teacher?  To help your clients learn, understand and practice Pilates safely and effectively.  We were always told: “If you want a workout, go to a class.”  Through a combination of demonstration (keep it brief – just one thing to get them started), verbal/physical cues and adjustments, together with relevant information whilst observing the class, you will spend most of your time on your feet (except for beginner classes).
    2. Understand what you are teaching: there is a massive difference between fitness classes that are heavily choreographed, high energy with loud music.  The cues are less on technique and more on direction.  You need to be doing otherwise it soon deteriorates into total chaos!  But they can see you all the time unlike in a Pilates class. 
    3. Pilates is a mind/body form of exercise: you want them feeling it and “going inside” rather than trying to rely on seeing what you are doing.  They can’t see you easily anyway for most of the exercises as they are supine or prone.  You can’t see them if you’re lying down.  If you need to demonstrate something new, try to plan it to follow a seated or side-lying exercise and put yourself in front of them.  Or demo at some point during the warmup when they are busy doing something simple.  Keep it brief.
    4. Separate the beginners from the rest:  sometimes easier said than done if you are working for a leisure centre of similar, but the classes will be more satisfactory for all concerned.
    5. Arrive early:  if you have no control over who comes to which class, you can at least avoid surprises!  Briefly welcome the regulars and position the beginners for easy access.  Maybe at least give them a quick tour of neutral and thoracic breathing before class.  Always teach these fundamentals in every class.
    6. Kiss:  Keep It Super Simple – in mixed classes, start with a modification that everyone is likely to understand and move the more advanced on once everyone is moving.  Don’t try to cram too much into the class either – technique over reps and content.
    7. Sharpen up your verbal cues, vocabulary and use visuals:  they are more likely to do the exercise correctly if the language is clear and descriptive.
    8. Try not to count all the way through:  maybe just “last 2” or similar so that they can gauge whether to rest or see it through.  There are so many interesting things to say – muscles, benefits, principles, technique, etc.  Once you start to really see what’s in front of you, you will know when they’ve done enough!
    9. Avoid over-correcting:  It can be demoralising for “the one” who seems to always struggle with the same thing.  When you do correct, do it in a positive way.  Say what they are doing well and use positive reinforcement.  It’s very motivating to be told that you’re doing a great job.  Also, in larger groups, priortise safety, correcting those who are in danger of hurting themselves.  Obviously in a large group you won’t get to everyone but if you don’t get to someone, try to do so the following session.  Stay on at the end and help “the one” understand the exercise – we all learn in different ways and sometimes, we just don’t hear or feel it for a while.
    10. Plan: there’s nothing like being prepared.

    Conclusion

    Unless you are teaching Pilates as a side hustle, you need to teach a lot of classes a week to make a living.  It just wouldn’t be sustainable (or healthy) to do the whole class (or even half of it) every time.  Standing in front of a group of people can be daunting, especially in the early days of teaching; both you and your clients may feel self-conscious at first – you, because of all eyes on you and eye contact; they, due to the personal attention they are getting – but you will all get used to it and come to enjoy it.  They will learn to really value and appreciate your attention to detail and to them and you will find that engaging fully with your clients makes the whole experience so much more rewarding.  The more you practice, the more familiar it will become, and your confidence will grow, as will your reputation as an expert instructor.

    #pilates #pilatesteacher #pilatesteachertraining

  • Teaching Pilates – Effective Cues

    teacher explaining people fitness exercises to balance the body

    I had a great question from one of my students recently (thank you if you are reading this), wanting to know what the most useful cues are when teaching Pilates.  Constantly reminding clients to breathe – preferably using the thoracic breathing technique – and engage the core are useful, but any cue that helps a client perform the exercise well and safely is essential.  This will vary from exercise to exercise, client to client, so there isn’t really a list of the top ten.  Yes, of course: there will be some cues that we reel off ad nauseum that aren’t really aimed at anyone in particular in the class.  They are just general reminders in case our clients’ minds have wandered to a parallel universe.

    So what makes a cue useful?  At the most fundamental level, a cue offers basic instructions: name of the exercise, body position, initial movement, direction of traffic.  For example, for the Roll Up, it could sound something like this:

    “Roll Up, seated facing me knees bent, as you exhale engage the core and tilt the pelvis.”

    In 5 seconds, they have a good idea of where this is heading.  From there, the execution cues will continue to progress the exercise, modify or help the client perform the exercise with good technique to enable them to perform safely and effectively. 

    And you can’t do that unless you can see your clients.  Back in my Jane Fonda inspired halcyon days as an aerobics instructor, if I stopped, the whole class stopped.  But we were on our feet, I was visible the whole time.  That is not the case in a Pilates class.  With the exception of those very few exercises where the clients are seated or side-facing, they can’t see you at all.  They rely on the cues you give them.  But you cannot give effective cues if you can’t see them and you can’t see them when you are lying down, doing the exercises with them.  And anyway, they can’t see you without losing alignment. 

    So if you aren’t already on your feet, observing, correcting and adjusting, the time has come.  You will never be short of an effective cue again.

  • Working with Common Health Conditions & Injuries

    Many of us teaching Pilates, yoga and fitness classes rarely have the luxury of choice or control when it comes to those attending our sessions. In an ideal world, we would have separate classes or courses for beginner, intermediate and advanced clients, but if we work for studios and leisure centres, it’s about filling the class. For those of us who are self-employed, we often serve the local community and therefore don’t have the client pool to offer too much diversity in terms of levels.

    This conundrum is further magnified when we consider special populations – for example, pre/postnatal and seniors – as well as being able to safely accommodate those with injuries and health conditions. How often have you attended a class where the teacher asks if anyone has any issues and upon hearing that yes, osteoporosis, they have advised the client to “take it easy, stop if there’s any pain”. Good advice, but not very specific or safe.

    As instructors, we have a duty of care to our clients to understand the most common health conditions and injuries if we are to accept those suffering with them to attend our classes. If we want to go the extra mile – and we should – we need to know which exercises are suitable, which aren’t and how we can adapt them.

    With this knowledge, not only can we keep ourselves and our clients safe, but we can actively improve their quality of life by helping them to recover or manage their issue. It also opens up a new avenue of opportunity as this will widen our client base and give us the expertise to work with other healthcare professionals and therapists.

    My new course, Orthopaedics: Pilates Adaptations for Common Conditions & Injuries is now available, leading to a Clinical Pilates CPD Certificate. The knowledge you will gain will give you and your clients the confidence to work together and make a real difference.

    #pilates #PilatesInstructor #CPDtraining #Orthopaedics #injuries #arthritis #osteoporosis #meniscusinjury #ligamentinjury #backpain

  • Breathing in the Pilates Push Up

    A question I’m often asked by students is whether we should inhale or exhale on the way down during a Push Up. I have used both options in some of my videos in the past so a very valid question.

    I discuss this subject and my choices in a short video on my Facebook page so read this post, watch the video and you decide! I’m talking about Push Ups in Pilates and explain why I think there is a choice. In the meantime, let’s look at the general advice on the subject:-

    In the world of strength/resistance training and the gym, a personal trainer would advise inhale on the eccentrc contraction (on the way down) and exhale on the concentric contraction (on the way up). Some would advise performing a Valsalva Manouvre (breath holding). This link will take you to a video where Mike Robertson suggests inhaling to prepare, exhale to engage the core, then perform the Push Up without breathing in either direction.

    I suspect that most people aren’t particularly aware of exactly how they breathe during this exercise. Pay attention, experiment and find what enables good technique and ensures safety for you.

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